At Balenciaga, when the technical challenge outweighed the fit of silhouettes now seems over, Nicolas Ghesquière this season trying to find the right balance between portability, heritage and technocouture.
For spring / summer 2012, the DA of the Parisian house and chooses to inject a volume so Cristobal Balenciaga for basics such as denim jacket or micro shorts, to puncture a few details to the universally stylish wardrobe of the Samurai twister and to many of his creations in contact with the perfume raw cutting edge.
In practice, denim jackets are being drastically conceptualized through the exaggeration of their pockets and build, while the minimalist dresses - which shouldered the armholes are reminiscent of some Japanese warrior armor - combining flexibility and rigidity, Metallic with a renewed desirability to constructivist gimmicks.
Yes but now, if we welcome the approach of some parts couture casual, all less cruelly no shortage of that coolness which had known lit show Nicolas Ghesquière at the autumn / winter 2007-2008. It has been hard to imagine these women enhanced by a bit hard coats, jackets neoprene tuxedo, denim high-waisted pants and other passers revisited.
Once assured the part called "commercial" in its collection, Nicolas Ghesquière then allowed free rein to his creative impulses by giving us ample robes mutant combining patchwork of pieces of leather and printed picks in the archives of the house, cut-outs Ottoman and Japanese aesthetics volumes Watteau. Not to mention the oversized fishing hats and skirts with fringe 20 years, who completed the make cryptic about the creator.
That said, if unusual hats suroit do not seduce Anna Dello Russo, no doubt the season ankle boots - subtly reminding the winged shoes of Hermes - declined as well in "Leopard" orange tabby that will soon not to titillate the fashionistas .
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